The Impact of COVID-19 on Cultural Heritage

A special issue of Heritage (ISSN 2571-9408). This special issue belongs to the section "Cultural Heritage".

Deadline for manuscript submissions: closed (31 January 2023) | Viewed by 25509

Special Issue Editor


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Guest Editor
Institute for Land Water and Society, Charles Sturt University, P.O. Box 789, Albury, NSW 2640, Australia
Interests: micronesian history and heritage; heritage conservation; heritage management
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

On the anniversary of the formal naming of the then novel virus (SARS-CoV-2) and the naming it the disease it causes (COVID-19), it is appropriate to examine the impact the disease has had on the world’s cultural heritage.

The COVID-19 pandemic has proven to be a global, cross-sectorial disruptor, with international conferences postponed, public lectures cancelled, museums shuttered, gallery openings abandoned, heritage tourist attractions closed and heritage soundscapes altered. Multiple community lockdowns, travel restrictions and social distancing requirements affected the way heritage professionals were able to exercise their professional work. On the downside, site inspections and necessary conservation and maintenance work had to be delayed. Expedited economic stimulus packages may have streamlined approval processes which affected due diligence in heritage approvals. In other case, the lack of work resulted in staff losses. On the upside, many activities moved to online events and exhibitions, thus potentially reaching a wider audience, yet disembodying the message from the materiality of objects and sites. The pandemic also generated a plethora of material culture and temporary sites worthy of examination and discussion.

This exciting special issue of Heritage  will focus on the COVID-19 pandemic. We are looking for case studies of how COVID-19 affected one or more aspects of the following:

  • management of heritage sites
  • heritage site conservation
  • heritage site maintenance
  • heritage tourism
  • museum operations
  • impact of COVID-19 economic stimuli on heritage sites
  • mental health of heritage professionals during COVID-19

Prof. Dirk Spennemann
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Heritage is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1600 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Published Papers (9 papers)

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Research

18 pages, 323 KiB  
Article
Exhibiting the Heritage of COVID-19—A Conversation with ChatGPT
by Dirk H. R. Spennemann
Heritage 2023, 6(8), 5732-5749; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage6080302 - 07 Aug 2023
Cited by 4 | Viewed by 1701
Abstract
The documentation and management of the cultural heritage of the COVID-19 pandemic as well as the heritage of the digital age are emerging discourses in cultural heritage management. The enthusiastic uptake of a generative artificial intelligence application (ChatGPT) by the general public and [...] Read more.
The documentation and management of the cultural heritage of the COVID-19 pandemic as well as the heritage of the digital age are emerging discourses in cultural heritage management. The enthusiastic uptake of a generative artificial intelligence application (ChatGPT) by the general public and academics alike has provided an opportunity to explore (i) whether, and to what extent, generative AI can conceptualize an emergent, not well-described field of cultural heritage (the heritage of COVID-19), (ii), whether it can design an exhibition on the topic, and (iii) whether it can identify sites associated with the pandemic that may become significant heritage. Drawing on an extended ‘conversation’ with ChatGPT, this paper shows that generative AI is capable of not only developing a concept for an exhibition of the heritage of COVID-19 but also that it can provide a defensible array of exhibition topics as well as a relevant selection of exhibition objects. ChatGPT is also capable of making suggestions on the selection of cultural heritage sites associated with the pandemic, but these lack specificity. The discrepancy between ChatGPT’s responses to the exhibition concept and its responses regarding potential heritage sites suggests differential selection and access to the data that were used to train the model, with a seemingly heavy reliance on Wikipedia. The ‘conversation’ has shown that ChatGPT can serve as a brainstorming tool, but that a curator’s considered interpretation of the responses is still essential. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
21 pages, 5473 KiB  
Article
The Digital Heritage of the Battle to Contain COVID-19 in Australia and Its Implications for Heritage Studies
by Dirk H.R. Spennemann
Heritage 2023, 6(5), 3864-3884; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage6050205 - 24 Apr 2023
Cited by 3 | Viewed by 1130
Abstract
One of the major public health measures to manage and contain the outbreak of the COVID-19 pandemic was to engage in systematic contact tracing, which required gastronomy, community and sporting venues to keep patron registers. Stand-alone and web-based applications, developed by a range [...] Read more.
One of the major public health measures to manage and contain the outbreak of the COVID-19 pandemic was to engage in systematic contact tracing, which required gastronomy, community and sporting venues to keep patron registers. Stand-alone and web-based applications, developed by a range of private IT providers, soon replaced pen-and-paper lists. With the introduction of a uniform, state-wide, mandatory data collection system, these private applications became obsolete. Although only active for four months, these applications paved the way for the public acceptance of state-administered collection systems that allowed for an unprecedented, centralized tracking system of the movements of the entire population. This paper discusses the cultural significance of these applications as a game changer in the debate on civil liberties, and addresses the question of how the materiality, or lack thereof, of this digital heritage affects the management of ephemeral smartphone applications, and its preservation for future generations. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
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13 pages, 1696 KiB  
Article
Changing Insect Catch in Viennese Museums during COVID-19
by Peter Brimblecombe and Pascal Querner
Heritage 2023, 6(3), 2809-2821; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage6030150 - 08 Mar 2023
Cited by 7 | Viewed by 1115
Abstract
The COVID-19 pandemic led to significant changes in societies across the globe. In many countries in Europe, national lockdowns during the spring of 2020 meant that museums were closed, and maintenance and housekeeping were at a minimum. We compared the insect monitoring data [...] Read more.
The COVID-19 pandemic led to significant changes in societies across the globe. In many countries in Europe, national lockdowns during the spring of 2020 meant that museums were closed, and maintenance and housekeeping were at a minimum. We compared the insect monitoring data of 15 museums in and around Vienna between the years 2018 and 2022 to see potential effects of the two lockdowns (spring 2020 and winter 2020/21) on insect populations. In Vienna, these changes altered the presence of pests, most notably an increase in silverfish by late spring (March–May 2020). We also found increased numbers of other pest species (notably Tineola bisselliella and Attagenus sp.), though these changes were seen later (June–October 2020). Thylodrias contractus, although found only in one museum, appeared to show decreased numbers during 2020. Storage areas in some of the museums revealed no significant increase in insect catch during the COVID-19 related closures. Since there are rarely visitors in such spaces, the situation did not change much during the closures. Silverfish are shy insects, but they were able to range more freely during the closures in the mostly darkened rooms. The increase of Tineola bisselliella and Attagenus sp. could be a result of reduced cleaning in the first lockdown. In the second lockdown, no significant changes were found. Human activity from staff was much higher compared to the first closure; a second reason could be the time of year, as in the winter period, it is mainly larvae that are active. Increased insect populations remind us that even when museums are unoccupied, they still need monitoring for possible risks from pests. No damage to the objects from the pests was observed in the museums investigated. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
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15 pages, 290 KiB  
Article
A Participatory Archives Approach to Fostering Connectivity, Increasing Empathy, and Building Resilience during the COVID-19 Pandemic
by Jessica Bushey
Heritage 2023, 6(3), 2379-2393; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage6030125 - 22 Feb 2023
Cited by 1 | Viewed by 2155
Abstract
This paper explores two pandemic-era projects conducted by the Museum and Archives of North Vancouver (MONOVA) using a participatory archives framework during the COVID-19 pandemic. #NorthVanStories, a rapid-respond social media collecting project, ran from May to September 2020 and received over 200 submissions. [...] Read more.
This paper explores two pandemic-era projects conducted by the Museum and Archives of North Vancouver (MONOVA) using a participatory archives framework during the COVID-19 pandemic. #NorthVanStories, a rapid-respond social media collecting project, ran from May to September 2020 and received over 200 submissions. #NorthVanStories–Living Histories, a digital video oral history project, ran from summer 2020 to fall 2021 and produced five videos with seven storytellers from diverse and vulnerable communities. This paper discusses the power of collaborative documenting, storytelling, and memory-making to foster connectivity, increase empathy, and build resilience. It highlights the benefits of working collaboratively with organizations and communities; successful approaches to planning and outreach activities; the importance of flexibility and sustainability when working with communities in times of crisis; and how to ensure the future relevance of archives by being responsive to contemporary events and community interests. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
12 pages, 235 KiB  
Article
Contemporary Collecting in a Pandemic: Challenges and Solutions for Documenting the COVID-19 Pandemic in Memory Organizations
by Chiara Zuanni
Heritage 2022, 5(4), 3616-3627; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage5040188 - 21 Nov 2022
Cited by 1 | Viewed by 1427
Abstract
This paper draws on a survey of contemporary collecting projects aiming to document the COVID-19 pandemic in museums and other memory organizations. The survey focused on European memory organizations and investigated the practices they adopted in collecting, accessioning, recording, preserving, and displaying material [...] Read more.
This paper draws on a survey of contemporary collecting projects aiming to document the COVID-19 pandemic in museums and other memory organizations. The survey focused on European memory organizations and investigated the practices they adopted in collecting, accessioning, recording, preserving, and displaying material and immaterial witnesses of the pandemic. This paper presents the results of the survey, with a particular attention on the challenges faced by these projects in relation to born-digital objects. It discusses how organizations were able to quickly launch initiatives aimed at collecting memories of the pandemic, drawing on different collection methods, adapting to the circumstances, and using a proactive attitude to reach out to different communities. The paper highlights the solutions adopted to ensure legal compliance in these projects and discusses the need for ethical considerations in relation to the collection of traumatic memories. It suggests that these collecting projects are likely to face significant challenges in the subsequent processing of this material—due to its volume and the need for new digital curation and preservation workflows. Therefore, the paper argues that these projects could also lead to a renewed attention and collaboration across the heritage sector on issues of digital curation and preservation. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
16 pages, 791 KiB  
Article
Digital Exhibition of Intangible Heritage and the Role of Museums in COVID-19 Era—Focusing on Gwangju Chilseok Gossaum Nori Video Experience Center in South Korea
by Mira Han and Yumi Yi
Heritage 2022, 5(3), 2673-2688; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage5030140 - 14 Sep 2022
Cited by 3 | Viewed by 2697
Abstract
A major purpose of this study is to evaluate the effectiveness of digital exhibitions of intangible heritage in the COVID-19 era and to ascertain the role of museums in enhancing understanding and interest in intangible heritage. This survey was designed to determine Gwangju [...] Read more.
A major purpose of this study is to evaluate the effectiveness of digital exhibitions of intangible heritage in the COVID-19 era and to ascertain the role of museums in enhancing understanding and interest in intangible heritage. This survey was designed to determine Gwangju citizens’ perception of intangible heritage and preference for visiting museums, focusing on the Gwangju Chilseok Gossaum Nori Experience Center in Korea. As a result, three perspectives were derived. First, exhibitions and video experience centers that use digital technology were more helpful toward understanding Gwangju Chilseok Gossaum Nori than festivals. Second, the frequency of visits to local festivals or museums positively affected the frequency of visits to the Gwangju Chilseok Gossaum Nori Video Experience Center. This demonstrates that cultural heritage conservation programs have a positive effect on each other. Third, the purpose of visiting the museum varied by age. For example, parents visited museums for educational purposes, which clearly shows that the reason for visiting the museum varies according to age. These results prove that museums must not only understand visitors’ needs, but they also must jointly consider ways to revitalize their exhibitions. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
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17 pages, 8858 KiB  
Article
Stille Nacht: COVID and the Ghost of Christmas 2020
by Murray Parker and Dirk H. R. Spennemann
Heritage 2021, 4(4), 3081-3097; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage4040172 - 04 Oct 2021
Cited by 15 | Viewed by 3413
Abstract
Annually, there are between 2500 and 3000 Christmas markets in Germany. While purported to be rooted in century-old tradition, the current concept of the markets, shaped in the 1930s, gradually transformed from primarily mercantile operations to experiential events. The experiential dimension is a [...] Read more.
Annually, there are between 2500 and 3000 Christmas markets in Germany. While purported to be rooted in century-old tradition, the current concept of the markets, shaped in the 1930s, gradually transformed from primarily mercantile operations to experiential events. The experiential dimension is a collection of visual, auditory, and olfactory components that create a compound sensory response: the ‘Christmas atmosphere’. The prevalence of COVID-19 meant that traditional Christmas markets were largely absent from the festive calendar in Germany in 2020, disrupting the usual sensory experiences associated with these events. A review of the online presence showed that augmented markets and virtual reality were subsequently utilized in an attempt to re-create the experience and the ambience of the traditional markets, but had limited interactivity with many of the senses. We explore to what extent these multiple-sensory components may have been lost during the Christmas period of 2020 due to the COVID-19-induced transition from the traditional multisensory live market to a predominantly online experience, and highlight problems which arise through the documentation of such complex intangible heritage. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
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16 pages, 278 KiB  
Article
Languages and Context Issues of ICTs for a New Role of Museums in the COVID-19 Era
by Antonella Lerario
Heritage 2021, 4(4), 3065-3080; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage4040171 - 02 Oct 2021
Cited by 9 | Viewed by 2008
Abstract
The rapid spread of the COVID pandemic is deeply changing people’s lives and upsetting consolidated models and lifestyles. The social distancing measures for the reduction of contagion have been heavily affecting people’s daily experiences, such as for example the public’s relationship with cultural [...] Read more.
The rapid spread of the COVID pandemic is deeply changing people’s lives and upsetting consolidated models and lifestyles. The social distancing measures for the reduction of contagion have been heavily affecting people’s daily experiences, such as for example the public’s relationship with cultural resources. Museums, in particular, are paying the highest price for that, forced to find new forms for heritage fruition, thus representing an emblematic case. Taking its steps from the analysis of the pandemic’s effects on global museum heritage and of museums’ response, the article focuses then on ICTs’ role as communication languages between heritage and its audiences in the solutions adopted, and on their suitability to the changed context. Finally, reflections on structural and contextual aspects of the dialogue between cultural resources and their public, beyond strictly technological matters, are proposed, to highlight the real extent of the challenges facing the museum sector. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
23 pages, 9735 KiB  
Article
COVID-19 on the Ground: Managing the Heritage Sites of a Pandemic
by Dirk H. R. Spennemann
Heritage 2021, 4(3), 2140-2162; https://0-doi-org.brum.beds.ac.uk/10.3390/heritage4030121 - 03 Sep 2021
Cited by 15 | Viewed by 5016
Abstract
The standard methodology for the assessment of cultural heritage significance relies on hindsight, with a passage of time elapsed between the creation of the site or object and its assessment. There are, however, cases where heritage significance is instant (e.g., sites associated with [...] Read more.
The standard methodology for the assessment of cultural heritage significance relies on hindsight, with a passage of time elapsed between the creation of the site or object and its assessment. There are, however, cases where heritage significance is instant (e.g., sites associated with the first Moon landing). This paper argues that hindsight will not be required to determine that the COVID-19 pandemic will come to be considered as a significant historic event, as COVID-19 has already manifested itself as a social, cultural and economic disruptor on a global scale with a mortality in the millions. Heritage professionals have the unique opportunity to assess and document places and structures associated with the pandemic, that are poised to be worthy of a heritage listing in the near future, while they are still in use and function as intended. This paper discusses the nature of the sites and structures and explores possible management approaches to safeguard evidence of the pandemic for future generations. Full article
(This article belongs to the Special Issue The Impact of COVID-19 on Cultural Heritage)
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