Race and Racism in Arabic Literature

A special issue of Humanities (ISSN 2076-0787). This special issue belongs to the section "Literature in the Humanities".

Deadline for manuscript submissions: closed (1 January 2022) | Viewed by 11134

Special Issue Editor


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Guest Editor
College of Liberal Arts & Sciences, Portland State University, Portland, OR 97201, USA
Interests: Iraqi literature and minorities of the Arab world

Special Issue Information

Dear Colleagues,

For this Special Issue of Humanities, contributions are invited on the theme of Race and Racism in Arabic literature. Submissions on poetry, drama, the novel, and other literary genres are all welcome. Preference will be given to approaches that emphasize intersections with colonialism, law, imperialism, feminism, or other modalities that help expand and nuance our understanding of the location of race and racism in collective Arab identities.

Africa, Blackness, and eastern slavery are enmeshed in the identity of the Arab world in ways that are seldom explicitly acknowledged, if not forcefully silenced. However, Arabic literature, both modern and pre-modern, is replete with works that share a complex and phobic fascination with Black subjectivities. This Special Issue aims to contribute to a much-needed and long-overdue revision of Arabic literary and cultural products and practices that engage Blackness and anti-Black racism.

The history of the Arabo-Islamic empire in Africa is long and convoluted, as is the literature it has produced. While many Arabic literary representations deal with Black subjects in racist, ahistorical, and apolitical terms, racialization also shifts and changes in subtle ways from period to period, and sometimes even in a single work as it moves from context to context, as in the chivalric legends of the black heroes of the sīra literature.

During its early episodes, depictions of Black-Arab hybridity served as a means of negotiating between the Arab and African groups that formed the basis of the Muslim armies. Later, the imperial Islamic history in Africa intersected with European colonial projects subcontracted to Arab and South-Asian middlemen to produce a different set of literary articulations of Blackness. With the passage of time and shared oppression, Arabs and Africans became embroiled in decolonial struggles and anti-capitalist ambitions that characterized the latter half of the twentieth century and its literary output. Despite this enduring exchange between Blackness and Arabness, and the persistent racialization that permeates this relationship, we seldom encounter explicit, rigorous assessment of this long geopolitical engagement, the chronic anti-Black racism, and the color politics that prevail across the Arab world today. On the other hand, racialized categorizations of Black individuals and communities crowd the margins of Arabic oral and written media, appearing in a wide array of Arabic literary genres, including poetry, drama, and the novel, from pre-Islamic times to the present.

This Special Issue will attend to the wide networks of production, circulation, engagement, and power dynamics at play in these works and in Arabic literature and culture at large to ask: 

  • How is Blackness historically valorized, framed, dismissed, or erased in Arabic literary products?
  • How does race “travel” between Africa and the Arab world in literary discourse?
  • How is anti-Black racism historically and materially produced in Arabic discourse? What are its networks of legitimization and exchange? How do they morph over time?
  • How does Arabic’s extensive literary geography intersect with racialized histories and material realities of colonized and enslaved societies?
  • How is the Arab cultural sphere theorized and imagined according to a color hierarchy? What roles does this imagined scheme assign to Black subjects?
  • How do racial ideologies influence the production, distribution, and critique of Arabic literature and culture as a field?
  • How do religious institutions and secular criticism inflect debates over racialization and race politics in the Arab world?

Dr. Yasmeen Hanoosh
Guest Editor

Manuscript Submission Information

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Keywords

  • Arabic literature, poetry, drama, novel
  • Blackness, anti-Black racism
  • Arab culture and Africa

Published Papers (3 papers)

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Research

11 pages, 236 KiB  
Article
Race and Racism in Historical Fiction: The Case of Jurji Zaydan’s Novels
by Esra Tasdelen
Humanities 2021, 10(4), 119; https://0-doi-org.brum.beds.ac.uk/10.3390/h10040119 - 10 Nov 2021
Viewed by 2158
Abstract
This paper analyzes the conceptualization of ideas of race in three historical novels in the fictional work of Jurji Zaydan (1861–1914), a Syrian Christian intellectual who wrote on the Golden Ages of Islamic History through serialized, popular works of historical fiction. In the [...] Read more.
This paper analyzes the conceptualization of ideas of race in three historical novels in the fictional work of Jurji Zaydan (1861–1914), a Syrian Christian intellectual who wrote on the Golden Ages of Islamic History through serialized, popular works of historical fiction. In the novels analyzed, Fath al-Andalus (Conquest of Andalusia), Abbasa Ukht al-Rashid (The Caliph’s Sister), and al-Amin wa al-Ma’mun (The Caliph’s Heirs), Zaydan depicts hierarchies of race that are delineated by certain features and categories, especially within the Abbasid among household slaves, and also centers the conflict within the novels around issues of differences in race and lineage. Zaydān shows the importance of rifts in Islamic history stemming from categorizations and distinctions between Arab and non-Arab, or Arab and Persian, or mawāli. The novels also reflect the self-conceptualization of Egyptians in relation to their perceptions of the Sudanese, at a time of the rise of Arab nationalism, in late 19th and early 20th centuries. Full article
(This article belongs to the Special Issue Race and Racism in Arabic Literature)
20 pages, 705 KiB  
Article
On Noble and Inherited Virtues: Discussions of the Semitic Race in the Levant and Egypt, 1876–1918
by Orit Bashkin
Humanities 2021, 10(3), 88; https://0-doi-org.brum.beds.ac.uk/10.3390/h10030088 - 12 Jul 2021
Cited by 2 | Viewed by 3603
Abstract
This article examines new notions about race, ethnicity and language current in modern movements of Arabic literary and cultural revival. I argue that the Arab print market before World War I adopted the racial category of the Semite as highly relevant to Arab [...] Read more.
This article examines new notions about race, ethnicity and language current in modern movements of Arabic literary and cultural revival. I argue that the Arab print market before World War I adopted the racial category of the Semite as highly relevant to Arab ethnicity and language, but the philological and literary significations of the term subverted the negative constructions affiliated with the Semitic races in Western race theories. Combining elements from the study of linguistics, religion, and political philosophy, Arabic journals, books, and works of historical fiction, created a Semitic and Arab universe, populated by grand historical figures and mesmerizing literary and cultural artifacts. Such publications advanced the notion that the Arab races belonged to Semitic cultures and civilizations whose achievements should be a source of pride and rejuvenation. These printed products also conveyed the idea that the Arabic language and Arab ethnicity can create ecumenical and pluralistic conversations. Motivated by the desire to find a rational explanation to phenomena they identified with cultural and literary decline, Arab authors also hoped to reconstruct the modes with which their Semitic and Arab ancestors dealt with questions relating to community and civilization. By publishing scientific articles on philology, literature, and linguistics, the print media illustrated that Arabic itself was a language capable of expressing complex scientific concepts and arguments. Full article
(This article belongs to the Special Issue Race and Racism in Arabic Literature)
12 pages, 269 KiB  
Article
Messages in Bottles: An Archive of Black Iraqi Identity in Diaa Jubaili’s al-Biṭrīq al-Aswad
by Chip Rossetti
Humanities 2021, 10(2), 82; https://0-doi-org.brum.beds.ac.uk/10.3390/h10020082 - 01 Jun 2021
Viewed by 2476
Abstract
The novel al-Biṭrīq al-Aswad [The Black Penguin] by the Iraqi author Diaa Jubaili is a rare example of a contemporary Arabic novel that centers the experiences of Iraq’s Black population, most of whom live near Basra in Iraq’s south. The [...] Read more.
The novel al-Biṭrīq al-Aswad [The Black Penguin] by the Iraqi author Diaa Jubaili is a rare example of a contemporary Arabic novel that centers the experiences of Iraq’s Black population, most of whom live near Basra in Iraq’s south. The novel’s mixed-race narrator recounts his life story in the form of letters addressed to international figures, highlighting the life of his family on the margins of Iraqi society and his later involvement with the real-life civil rights group, the Movement of Free Iraqis. This article draws on Stuart Hall’s dual conception of cultural identity in diaspora to frame the characters’ search for a Black Iraqi identity as a dynamic engagement with memory, one that represents a counternarrative in the face of legacies of African slavery and legal discrimination. Full article
(This article belongs to the Special Issue Race and Racism in Arabic Literature)
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