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Habit, Cultural Landscape and Sustainability

A special issue of Sustainability (ISSN 2071-1050). This special issue belongs to the section "Sustainable Urban and Rural Development".

Deadline for manuscript submissions: closed (31 March 2022) | Viewed by 21363

Special Issue Editors


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Guest Editor
Faculty of Geographical Science, Beijing Normal University, Beijing 100875, China
Interests: cultural geography; social geography; historical heritage
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
School of Design, Shanghai Jiao Tong University, Shanghai, China
Interests: architecture and urban culture; space narratives; place of memory

Special Issue Information

Dear Colleagues,

Sustainability includes the sustainability of natural and human systems. The sustainable development of the human system must be supported by economic, social, and cultural development. There are multidisciplinary participations in current research on cultural sustainability, such as anthropology, sociology, cultural studies, human geography, and so on, as well as urban planning, regional planning, community planning and design, and architectural design. This Special Issue welcomes all research articles related to this topic from the above disciplinaries. The original purpose of this Special Issue is to collect and publish the papers which were submitted to the 2020 IGC Conference’s session of Geography, Habits, and Global Understanding. However, we also hope that more people will participate in this discussion. Habit is a relatively stable element in any culture, so it has an important impact on the shaping and sustaining of cultural landscapes. Sustainable development is sometimes harmonized with habits, and sometimes contradictory. Therefore, this Special Issue aims to accept articles discussing this, especially those that take cultural landscapes as the research object. We are sure that understanding the habits of different cultures in various regions around the world may foster global understanding among people.

Prof. Dr. Shangyi Zhou
Prof. Dr. Shaoming Lu
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Sustainability is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • habit
  • culture
  • landscape
  • sustainability
  • global understanding

Published Papers (6 papers)

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Research

28 pages, 99038 KiB  
Article
Sustainable Development of Vernacular Residential Architecture: A Case Study of the Karuč Settlement in the Skadar Lake Region of Montenegro
by Irena Rajković, Marija Bojović, Dušan Tomanović and Lemja Chabbouh Akšamija
Sustainability 2022, 14(16), 9956; https://0-doi-org.brum.beds.ac.uk/10.3390/su14169956 - 11 Aug 2022
Cited by 5 | Viewed by 2159
Abstract
Vernacular architecture and its responses to natural factors through architectural patterns are recognized as expressions of bioclimatic principles and national architectural responses to location. The vernacular architectural heritage of architecture is one of the most important factors in preserving and developing the cultural [...] Read more.
Vernacular architecture and its responses to natural factors through architectural patterns are recognized as expressions of bioclimatic principles and national architectural responses to location. The vernacular architectural heritage of architecture is one of the most important factors in preserving and developing the cultural identity of a nation. Through research on the vernacular architecture of the coastal area of Skadar Lake, our goal is to recognize and potentially valorize the local traditional characteristics of authentic houses as ecological building patterns, which also express the fundamentals of sustainability principles. Although examples of vernacular architecture are disappearing due to contemporary globalization, and a mere imitation of motifs from past periods occurs, the historical specifics of architectural expression remain the inspiration and catalyst for future achievements based on the idea of preserving the local and regional recognizability of architecture. This research resulted in a redefinition of vernacular, bioclimatic concepts in a way that preserves construction techniques, which basically have an ecological approach, and, at the same time, provides modern solutions with bioclimatic concepts. The case study conducted on the village of Karuč in the area of Skadar Lake presented in the paper contributes to revealing the potential of bioclimatic principles and the energy rehabilitation of vernacular architecture in order to revitalize it through a new contemporary architectural expression. This study’s contents propose revitalization solutions at two levels of the following: settlement and typical houses. The study also aims to create a model, that is, a modern expression of a characteristic Karuč house, with improved functionality and energy characteristics for national architecture. Identifying all the basic building patterns, including the positioning of buildings, construction, the application of available materials, and the design of buildings, this paper presents conditions for the adequate valorization and preservation of authentic vernacular architecture and creates guidelines for further upgrades and the bioclimatic revitalization of vernacular architecture in a certain location. Full article
(This article belongs to the Special Issue Habit, Cultural Landscape and Sustainability)
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19 pages, 4706 KiB  
Article
Trialectics of Spatiality: The Negotiation Process between Winter Swimmers and the Municipal Government of Beijing
by Zhuolin An and Shangyi Zhou
Sustainability 2022, 14(10), 6300; https://0-doi-org.brum.beds.ac.uk/10.3390/su14106300 - 21 May 2022
Viewed by 1649
Abstract
Different cultural groups establish different usage habits while using public spaces and there are contradictions between them. For instance, the issue of whether Beijing’s public waters can be used as winter swimming spaces is controversial. Based on Edward William Soja’s Trialectics of Spatiality, [...] Read more.
Different cultural groups establish different usage habits while using public spaces and there are contradictions between them. For instance, the issue of whether Beijing’s public waters can be used as winter swimming spaces is controversial. Based on Edward William Soja’s Trialectics of Spatiality, we analysed the literature analysis, semi-structured interviews and participatory observations to conduct the survey, and the following conclusions were drawn. First, the contradictions between winter swimmers and public water administrators in Beijing are divided into three stages, and the turning points of these stages are based on the changes in Secondspace. Second, after three rounds of gradual progress in the Trialectics of Spatiality, Firstspace not only preserves the winter swimming areas for Beijingers but also avoids the current contradictions due to different usages of public waters between different subjects. Third, winter swimmers and urban managers may not be aware of the potential contradictions of public waters in the future without using Soja’s concept of Thirdspace (or Lefebvre’s concept of “representation of space”). Full article
(This article belongs to the Special Issue Habit, Cultural Landscape and Sustainability)
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14 pages, 2092 KiB  
Article
Interactions among Trialectic Spaces and Their Driving Forces: A Case Study of the Xisi Historical and Cultural Block in Beijing
by Zhifen Cheng, Boning Fan, Shangyi Zhou and Baoxiu Zhang
Sustainability 2022, 14(9), 5094; https://0-doi-org.brum.beds.ac.uk/10.3390/su14095094 - 23 Apr 2022
Cited by 1 | Viewed by 1435
Abstract
Urban spaces are constantly changing. H. Lefebvre’s trialectic spaces are an analytical tool used to explain changes in urban spaces. However, in trialectic spaces, which space plays a leading role? What is the driving force of interactions in such spaces? At present, there [...] Read more.
Urban spaces are constantly changing. H. Lefebvre’s trialectic spaces are an analytical tool used to explain changes in urban spaces. However, in trialectic spaces, which space plays a leading role? What is the driving force of interactions in such spaces? At present, there is a lack of research on this issue. This paper, in response to the views of N. J. Babere, takes the Xisi historical and cultural block in Beijing as a case study to answer these questions and uses questionnaires, in-depth interviews, and follow-up surveys to analyze the interaction process of trialectic spaces within green spaces. Then, it analyzes the driving force of this interaction. The purpose of this study is to determine which space plays a leading role in interactions among trialectic spaces and what the driving force behind such interactions is. This paper draws the following conclusions: (1) Representational spaces play a decisive role in interactions among trialectic spaces.. This is consistent with Babere’s findings. (2) In historical and cultural blocks, culture is the driving force promoting the interaction of trialectic spaces. (3) The direction of interaction among trialectic spaces can be either clockwise or counterclockwise. Full article
(This article belongs to the Special Issue Habit, Cultural Landscape and Sustainability)
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21 pages, 5151 KiB  
Article
Tourism, Residents Agent Practice and Traditional Residential Landscapes at a Cultural Heritage Site: The Case Study of Hongcun Village, China
by Di Zuo, Changrong Li, Mingliang Lin, Pinyu Chen and Xiang Kong
Sustainability 2022, 14(8), 4423; https://0-doi-org.brum.beds.ac.uk/10.3390/su14084423 - 08 Apr 2022
Cited by 14 | Viewed by 2759
Abstract
The contradiction between tourism development and sustainable heritage is a topic of academic debate. Taking Hongcun village, a UNESCO World Heritage site in China, as a case study, this paper focuses on the role of resident spatial practice and provides the possibility of [...] Read more.
The contradiction between tourism development and sustainable heritage is a topic of academic debate. Taking Hongcun village, a UNESCO World Heritage site in China, as a case study, this paper focuses on the role of resident spatial practice and provides the possibility of balance between capital-driven and sustainable development and local culture, which has important implications for the sustainable development of cultural heritage. The study used archival research, non-participatory observations, and semi-structured interviews, following Pierre Bourdieu’s theory of practice to analyze the practical logic of local residents who transform their dwellings to achieve the aim of landscape sustainability. This study found that in the development of Hongcun tourism, the residential landscape has been adaptively transformed at both the material and non-material levels, due to residents’ habitus and the capital brought in by tourism. This material transformation was mainly manifested in the change of residential function, the courtyard structure, and the alienation of residential space. The non-material transformation was mainly manifested in the relationships between residents and other actors. Residents who tended to conduct protection actions positively were more likely to achieve a sustainable livelihood that contributes to a sustainable cultural landscape. This paper argues that the sustainable development of heritage requires that attention be paid to the positive role of grassroots agents and practices. Bottom-up agency is the key to realizing the adaptation of living heritage to external changes. Full article
(This article belongs to the Special Issue Habit, Cultural Landscape and Sustainability)
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25 pages, 2596 KiB  
Article
The Experience of Place in the Annual Festival Held in an Amazigh Village in Southern Tunisia
by Tamaki Kitagawa
Sustainability 2021, 13(10), 5479; https://0-doi-org.brum.beds.ac.uk/10.3390/su13105479 - 13 May 2021
Cited by 2 | Viewed by 2092
Abstract
The phenomenological meaning of place argued by Yi-Fu Tuan and Edward Relph involves multiple disciplines, including religious studies. Based on the idea of experience of place, the study examines the structural contrast between the inner village and the outside suburbs. Focusing on the [...] Read more.
The phenomenological meaning of place argued by Yi-Fu Tuan and Edward Relph involves multiple disciplines, including religious studies. Based on the idea of experience of place, the study examines the structural contrast between the inner village and the outside suburbs. Focusing on the representation of the contrast of places in the festival of southern Tunisia, it also discusses the inner and the outer experience of the human existence that such contrast implies. In this regard, interviews with the local people in the village and observation of rituals and festivals were implemented. The traditional rituals designate the contrast of the human realm and the untamed nature, which has been shaped by environmental and historical factors. Their ambivalent ontological orientations toward usefulness/controllability and toward sacredness/uncontrollability are reconciled by the experience of the festival. The dynamism of the inside and the outside in the form of olives, a bride, or a palanquin enables people to realize the source of new lives and experience the essential meaning of generation. In spite of recent political and exhibitionistic tendencies, the Mahrajān represents the universal structure of festivals in which arbitrariness is periodically broken down by introducing the external sacredness into the inner human realm. Full article
(This article belongs to the Special Issue Habit, Cultural Landscape and Sustainability)
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19 pages, 8020 KiB  
Article
The Role of Landscape Art in Cultural and National Identity: Chinese and European Comparisons
by Xiaojing Wen and Paul White
Sustainability 2020, 12(13), 5472; https://0-doi-org.brum.beds.ac.uk/10.3390/su12135472 - 07 Jul 2020
Cited by 3 | Viewed by 9647
Abstract
The depiction of landscape in art has played a major role in the creation of cultural identities in both China and Europe. Landscape depiction has a history of over 1000 years in China, whilst in Europe its evolution has been more recent. Landscape [...] Read more.
The depiction of landscape in art has played a major role in the creation of cultural identities in both China and Europe. Landscape depiction has a history of over 1000 years in China, whilst in Europe its evolution has been more recent. Landscape art (shan shui) has remained a constant feature of Chinese culture and has changed little in style and purpose since the Song dynasty. In Europe, landscape depictions have been significant in the modern determination of cultural and national identities and have served to educate consumers about their country. Consideration is given here to Holland, England, Norway, Finland and China, demonstrating how landscape depictions served to support a certain definition of Chinese culture but have played little political role there, whilst in Europe landscape art has been produced in a variety of contexts, including providing support for nationalism and the determination of national identity. Full article
(This article belongs to the Special Issue Habit, Cultural Landscape and Sustainability)
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