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Product Design Innovation and Consumer Psychology

A special issue of Sustainability (ISSN 2071-1050). This special issue belongs to the section "Economic and Business Aspects of Sustainability".

Deadline for manuscript submissions: closed (25 November 2023) | Viewed by 3908

Special Issue Editors


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Guest Editor
School of Design and Creative Arts, Loughborough University, Loughborough, Leicestershire LE11 3TU, UK
Interests: design research; innovation adoption; design education
Special Issues, Collections and Topics in MDPI journals

E-Mail Website
Guest Editor
School of Design and Creative Arts, Loughborough University, Loughborough, Leicestershire LE11 3TU, UK
Interests: human computer interaction; crossroads of HCI, social computing and heritage studies

Special Issue Information

Dear Colleagues,

The interrelationship of product design and consumer psychology is complex. Product design innovation involves the development of emerging, new or redesigned products whereas consumer psychology involves how we as people think, how we understand, create ideas and how we feel or behave. Thus, to a certain extent, consumer psychology determines the fundamental direction of product design, likewise, the innovative design of products also influences the psychology and behavior of consumers. However, not all consumers want to follow the crowd by adopting the latest technological or product innovation, quite often the majority of consumers are reluctant to change and adapt. Therefore, with this reluctance of consumers to adopt emerging innovations or the idea of it, several questions regarding consumer psychology around product design innovation can be raised. With the force of consumer psychology and market push and pull, as well as the acceptable tolerance of new market entrants, it is a challenging and expensive practice for companies to question the uncertainty around a product. On this basis, researchers and practitioners must understand how product interactions and experiences influence consumer behavior in the future forecasting of emerging trends in product design.

Accordingly, this Special Issue focuses on discussing how innovative design (e.g., product aesthetics, function, brand strength, emerging technologies, etc.) could be utilised to influence the consumer psychology in product design. We hope to further strengthen and expand the growing body of literature that benefits and surrounds product design innovation and consumer psychology, to facilitate the exploration of creative and innovative design strategy and considerations. Therefore, in this context, we invite papers on innovative case studies, surveys, literature reviews, analytical as well as assessment, papers from diverse disciplines, which are relevant to all the different aspects related to product design innovation and consumer psychology. Indicatively, the following topics (but not limited) are welcomed in the contributions to the present Special Issue:

  • Designing through consumer behavior;
  • Innovation and consumer values;
  • Application of creative product design;
  • Human-centered products and experiences;
  • Speculative design.

Prof. Dr. Cees de Bont
Dr. Shichao Zhao
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Sustainability is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • creative product design
  • human-centred products and experiences
  • speculative design
  • designing through consumer behavior

Published Papers (1 paper)

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Research

16 pages, 5893 KiB  
Article
Influence of Technology on Perceived Obsolescence though Product Design Properties
by Miguel-Angel Pardo-Vicente, Patricia Camacho-Magriñan and Pablo Pavon-Dominguez
Sustainability 2022, 14(21), 14555; https://0-doi-org.brum.beds.ac.uk/10.3390/su142114555 - 05 Nov 2022
Cited by 2 | Viewed by 2705
Abstract
Formal or perceived obsolescence describes the fact that users decide to stop using a product, even though it still fulfils its function. This is because the design is perceived as obsolete, which also leads to negative product semantics. This is often the case [...] Read more.
Formal or perceived obsolescence describes the fact that users decide to stop using a product, even though it still fulfils its function. This is because the design is perceived as obsolete, which also leads to negative product semantics. This is often the case with products that are frequently updated to incorporate the latest technology. The aim of this paper is to understand the influence of technology on the perception of design. To this end, 297 people were surveyed about their perception of formal obsolescence in regard to different elements of a car and a smartphone, based on their design properties: shape, colour and material. In addition, technological attributes (some of which were dystopian) were added to these products to assess the influence of current or obsolete technology on participants’ perception of obsolescence. Possible correlations were assessed by means of a chi-square analysis. The results show that technology does not influence all design properties in the same way, with shape being more important than colour or material. This is especially true for multimedia products, such as vehicle displays or smartphones. The results of this paper can help design engineers to create products that last longer, while also reducing their environmental impact. Full article
(This article belongs to the Special Issue Product Design Innovation and Consumer Psychology)
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